Early Fall 2022 Newsletter

Dear Friends,

Being flexible seems a necessity these days for many reasons. For us, Covid created a little staycation and resulted in the canceling of our much anticipated Summer MilkBar event. We'll try again next Summer.

In the meantime, I have been studying musicianship. The time feels ripe for this as I am beginning a sequel to my recently premiered Quarry sound installation piece. The idea is that this fundamentals study and practice will deepen and inform this next work, to understand better what I am doing when I swirl around in my studio in ways that sometimes seem like a mystery.

If it doesn't please you to receive these emails, then it doesn't please me. You are welcome to remove yourself at any time with the unsubscribe button at the bottom of this missive.

in this issue:

+A House Concert
+Musicianship
+From Quarry to Landfill
+A few feature articles

HOUSE CONCERT
FEATURING MARK GROWDEN AND MYSELF

We will be presenting a house concert here in Cotati on Saturday, October 1st at 8PM • $20-$100 sliding scale (NOTA)

The evening will include listening to my Quarry piece, as well as Mark Growden performing a set of his music.

Please RSVP to this email to make a reservation. Space is limited.


MUSICIANSHIP

In the Summer I began musicianship lessons with Mark, who had an artist residency here this June and July. He is a composer, multi-instrumentalist, singer/songwriter, choir director, jaw harp expert, painter, and teacher.

Working with Mark has been illuminating and humbling on many levels. His background and experience run deep. He is a passionate, present, and challenging teacher who doesn't miss a thing.

I now see this practice as an essential component to becoming the musician I wish to be and something to work on ad infinitum.

Mark is currently accepting new students. I would highly recommend lessons… you might not know how fun they are until you try!

Mark can be reached at: markgrowden@gmail.com
For more about Mark see: markgrowden.org


FROM QUARRY to LANDFILL,
EXTRACTION to REFUSE

Projects based on local issues continue to be a focus for me, and having completed the Quarry sound installation piece, I am shifting to shine light on a local landfill. I will begin by collecting field recordings and interviews at the dump in Petaluma. I was driving there the other day when I saw signs for road closures on Roblar Rd. Curious, I took the familiar and beautiful country road until I was rerouted at the quarry site where they are indeed beginning work by widening the road. As I made my way past, I could see materials being laid out on the hillside.

After around 40 years of efforts to construct this Quarry and with near-unanimous opposition from the community, the ground is finally being broken. I feel for the watershed, the neighbors, and the tiger salamander there. Please read more at merlinman.com/quarry (scroll toward the bottom of the page) if you are interested in the short history I have written on the issue.

You can now hear the entire Quarry work in a stereo mix here: merlinman.com/quarry.

It is intended for a quadrophonic system, but I think this version does it justice pretty well.


ARTICLES in MAGAZINES

I was pleased to be interviewed for articles in two publications this past Spring. One about the farm I helped to start and another about my story, the artist residency, and the community here on the land.

You can read the full articles here: merlinman.com/news-calendar


being (on) social (media)

I am sometimes engaging in the world of social media. Please find/follow/join me?

Instagram: @merlincolemann

Bandcamp: merlincoleman.bandcamp.com

Merlin Coleman